books for college essay

Calvin & Hobbes, Gary Clark Jr., and the Authentic Narrative of Your College Essay Posted on Wed, - 15:15 It's that time of year. Sam Bigelow, Associate Director of College Counselor at Middlesex School, joins us today to talk college essays. This is a piece about some things that are very important to me—music, Calvin and Hobbes and your college essays. Taking my dog for a post-lunch, afternoon walk through Estabrook Woods behind the Middlesex School campus recently, I was listening to the new Gary Clark Jr. live album and appreciating the wonderful authenticity of this young Texas blues hero’s singing and guitar playing. He’s taken on the mantle of today's “it” blues guy, and I think I know why. When he sings, you believe every word and note he let’s leave his body. When he rips into a guitar solo midway through a song, there’s intensity, there’s insistence, and there’s soul. He is, as we like to say, “the real deal.” There are plenty of guitarists out there that can play faster, plenty of singers that have more impressive vocal range, but if you can’t sing or play with real feeling like he does, you likely won’t resonate with an audience in the same way. I always tried with my own music to dial back the fireworks and play piano and sing more simply and more authentically in my own voice. I am certainly not saying I was successful in that venture, but I always tried to do that. Van Gogh's Shoes, Martin Heidegger and My Little Pony: Embracing the Essay Posted on Fri, - 09:40 Mark Moody, Co-Director of College Counseling at Colorado Academy, joins us again today with some fantastic guidance on the college essay. There is so much good stuff here, we don't even know where to begin to describe how helpful this will be to rising seniors as they begin their essays -- hopefully this summer. Moody's vivid explanations of Show, Don't Tell,  the concept.
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I have mentioned these titles before, but these are my three favorites: There are a jillion of these how-to books on the market, and all have helpful things to say. However, the advice in these books is spot-on, and they include helpful sample essays and are inspiring to read.  Both are available at Amazon.com and are inexpensive. Reading sample essays is one of the best ways for students to get ideas for topics for their own essays, as well as get a feel for the more casual style and tone of these pieces. I also believe both authors do a good job of taking some of the pressure off these dreaded assignments. The Harvard collection also includes wonderful analyses at the end of each sample essay.
Listen: writing well is hard. It is hard for a lot of different reasons. Sometimes it is hard because you don't know your audience and have to guess. Sometimes it is hard because you have a lot of stories tripping over each other to get onto the page. Sometimes it is hard because, no matter how smoothly you try to form your sentences, they invariably tumble out of you, all stiff and angular like a box of bent pipes. But being able to write well is important. You will never encounter a situation in which obfuscation is to your advantage. You will frequently encounter situations where crisp, compelling writing can express your feelings, make your case, even save lives: Edward Tufte argues that the Challenger disaster could have been prevented if only the case against launching had been made more clearly. While (hopefully) no lives are riding on your college application essays, this is a great time to revisit some of the rules of writing well. George Orwell's Politics and the English Language is my personal guide to thinking about writing. The theoretical foundation he lays in this piece - about the importance of language, including writing, in shaping how we are capable of thinking - he later built upon in 1984. Read this essay. Read it closely, read it carefully. It will change the way you think about writing. I keep Orwell's rules for writing next to my desk always: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous. Now, in this essay Orwell took issue primarily with contemporary.