catch 22 research paper

Catch 22 Length: 849 words (2.4 double-spaced pages) Rating: Red (FREE)   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -      Catch-22 by Joseph Heller is an interesting novel in the fact that throughout the entire novel the plot seems to go nowhere. It just seems to be a bunch of events strung together through the main character Yossarian. These events, however powerful, don’t seem to lead to much of a point, until the reader finishes. Then, out of nowhere, comes the meaning behind the book. Heller does a great job of ending the book. By having Yossarian run away the meaning of the book is set in stone. Catch-22 is a novel which discusses the fact that the importance or value of one thing to one person, could be completely different to another, like in the cases of selling goods over human life with ex-P.F.C. Wintergreen, Milo Minderbinder with his wheeling and dealing and Doc Daneeka and his description of what it takes to get home. Each character in the novel seems to have a certain way in which they judge their power, importance, worth and/or duty. Throughout the entire book, the only character that resembles someone with good opinions of himself is Yossarian. He appears to be the only character that realizes the insignificance the war effort is because almost all the people in the novel are fighting for the wrong reason. He says, “Am I supposed to get my ass shot off just because the colonel wants to be a general?”. Other characters, like ex-P.F.C. Wintergreen respond to questions with answer that seem to make no sense. In the case where Yossarian is requesting that Wintergreen get them off the flight to Bologna because they will probably die, Wintergreen comes back with the unbelievable answer “Then you’ll have to be killed.if your destined to be killed over bologna, then you’re going to be killed, so you might just as well go out and die.
The topic of this research paper is the absurd in Joseph Heller’s Catch-22. In the course of this paper I will show that Catch-22 belongs to the Literature of the Absurd, that Heller writes in the tradition of the absurd and that he uses absurdist techniques to describe his novel’s absurd and disjointed world. Yet the novel’s absurd vision differs radically from other literature of the absurd because instead of accepting the universe as absurd, Heller protests against the absurdity he describes. To support my thesis I will examine definitions and features of the Theatre of the Absurd and of the Literature of the Absurd and compare them to Catch-22. I will analyze the novel’s absurdist vision by looking at the absurdity of war, the absurdity of bureaucracy, absurdity of capitalism and at the famous catch-22. Further I will examine the failure of communication and the novel’s structure. To come to a valid conclusion I will then analyze the significance of absurdity in Catch-22. The Literature of the Absurd has its roots in the Theatre of the Absurd and the absurdist movement that emerged after World War II as a rebellion against traditional values and literature. Before the war it was commonly thought that man was a fairly rational creature who lives in an at least partly intelligible universe. It was believed that man was able to show heroism and dignity even in defeat. After the war then there was the tendency to view man as isolated and the universe as possessing no inherent truth, value or meaning. Jean Paul Sartre and Albert Camus, for example viewed the human being as an isolated existent who is cast into an alien universe, to conceive the universe as possessing no inherent truth, value or meaning, and to represent human life – in its fruitless search for purpose and meaning, as it moves in the nothingness whence it came toward the nothingness where it must end –.
DEADLY UNCONSCIOUS LOGICS IN JOSEPH HELLER’S CATCH-22by Robert M. Young Amazon US | UK Catch-22 is a black comedy novel about death, about what people do when faced with the daily likelihood of annihilation. For the most part what they do is try to survive in any way they can. The book begins, ‘The island of Pianosa lies in the Mediterranean Sea eight miles south of Elba.’ That is the geographical location of the action. Much of the emotional plot of the book turns on the question of who’s crazy, and I suggest that it is illuminating to look at its world in Kleinian terms. The location of the story in the inner world is the claustrum — a space inside the psychic anus, at the bottom of the psychic digestive tract, where everyone lives perpetually in projective identification, and the only value is survival. If one is expelled from the claustrum, there are only two places to go: death or psychotic breakdown (Meltzer, 1992). What people do in these circumstances is to erect individual and institutional defences against the psychotic anxieties engendered by unconscious phantasies of the threat of annihilation. These defences are extreme, utterly selfish and survivalist. In certain institutional settings they are erected against death itself and correspond to what Joan Riviere called in her essay ‘On the Genesis of Psychical Conflict in Early Infancy’ (1952), ‘the deepest source of anxiety in human beings’ (1952, p. 43). She suggests ‘that such helplessness against destructive forces within is ubiquitous and constitutes the greatest psychical danger-situation known to the human organism.’ (ibid.). Isabel Menzies Lyth argues that these anxieties are re-evoked in the work of nurses, where death is present and imminent. ‘The objective situation confronting the nurse bears a striking resemblance to the phantasy situations that exist in every individual in the deepest and most.
    Using the URL or DOI link below will ensure access to this page indefinitely Based on your IP address, your paper is being delivered by:    New York, USA Processing request. Illinois, USA Processing request. Brussels, Belgium Processing request. Seoul, Korea Processing request. California, USA Processing request. If you have any problems downloading this paper,please click on another Download Location above, or view our FAQ File name: SSRN-id1359225. ;   Size: 389K You will receive a perfect bound, 8.5 x 11 inch, black and white printed copy of this PDF document with a glossy color cover. Currently shipping to U.S. addresses only. Your order will ship within 3 business days. For more details, view our FAQ. Quantity: Total Price = .99 plus shipping (U.S. Only)   If you have any problems with this purchase, please contact us for assistance by email: Support@SSRN.com or by phone: 877-SSRNHelp (877 777 6435) in the United States, or +1 585 442 8170 outside of the United States. We are open Monday through Friday between the hours of 8:30AM and 6:00PM, United States Eastern. Adam Winkler University of California, Los Angeles (UCLA) - School of Law UCLA Law Review, Vol. 56, June 2009 UCLA School of Law Research Paper No. 09-10 Abstract:      Joseph Heller's satire Catch-22 has become a classic for its revealing look at the illogic, inconsistency, and circular reasoning common in modern bureaucratic life. This article uses Heller's novel to frame a critical analysis of the recent landmark Second Amendment decision of the U.S. Supreme Court that carries the Catch-22 author's surname, District of Columbia v. Heller. The majority opinion in Heller suffers from many of the missteps and contradictions Heller's novel identified. Although hailed as a triumph of originalism, the opinion paradoxically relies on a thoroughly modern understanding.
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