comparing macbeth and lady macbeth essay

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In scene 1 of act 3, Macbeth hires two men to kill both Banquo and his son, Fleance. Macbeth selected these two men seemingly because they are unhappy with and angry about their position in life. He is able to use their discontent to his advantage saying, this I made good to youIn our last conference, pass'd in probation with youHow you were borne in hand, how cross'd, the instruments,Who wrought with them, and all things else that mightTo half a soul and to a notion craz'dSay, 'Thus did Banquo.' Basically, Macbeth is convincing the murderers that their terrible lives are Banquo's fault and thus, Banquo deserves to be killed. Macbeth successfully manipulates these men, who agree that Banquo is their enemy and it is their job to murder him.
Love was very important to the Shakespearean audience. There is not a play written by Shakespeare that does not contain some form of a love relationship. These plays usually end happily, however in the case of “Macbeth”, the relationship that carries this important function, that is love, is conveyed in a way most peculiar. Instead of the average “happily ever after” ending an audience would expect, Shakespeare offers the audience, a villainous duo. One would expect that their relationship is an average husband and wife relationship, but there are many similarities and differences in the relationship which makes it even more enjoyable for the audience to watch the course of it. The relationship between Macbeth and his Lady comes into significance even before the play starts. One must imagine how close the couple were before we meet Lady Macbeth. The fact that Macbeth sends a letter in anticipation to his wife and does not consult with anyone else is solid proof of how Macbeth trusts his wife and visa-versa: “my dearest partner in greatness”. Lady Macbeth also trusts in her husband, but in a different way; she trusts him as long as he is under her control. This would be quiet unexpected in a relationship during the Middle Ages where men were always the dominant figure in any relationship. From the first moment we meet Lady Macbeth we immediately notice how shred she is compared to Macbeth: “I fear thy nature is too full o’ the milk of human kindness”. This proves that Lady Macbeth is more brutal than her husband as she fears that “Bellona’s bridegroom” might be too kind; yet Macbeth trusts her whole heartily as he addresses her: “My dearest love”. Even though Macbeth sense that his wife is pushing him towards the murder of Duncan he is faithful to her and allows himself to be controlled by her: “Look like the innocent flower but be the serpent under’t”. This proves.
Comparing and Contrasting Macbeth and Lady Macbeth In the play Macbeth by William Shakespeare, Macbeth and Lady Macbeth are depicted very differently and simply wanting kingship are among the few similarities. It is also interesting how the differences between Macbeth and Lady Macbeth are caused by other differences in their traits, starting chain reactions of contrariety. Macbeth and Lady Macbeth both posses greedy and ambitious attributes. So far we have learned that Macbeth and Lady Macbeth are very ambitious to gain kingship. At the end of Act I, Lady Macbeth uses her conniving manipulation skills, and then as a last resort uses her seductive manipulation skills to persuade Macbeth to follow through with the plan to kill the king. This proves that she is greedy because she will do anything in her power to get something she wants regardless of other people. Macbeth is ambitious in a different way. It is well known that simply wanting something is not enough to actually get it. One must have desire and ambition and must work towards obtaining a certain goal. Macbeth has the desire to become the king but lacks the motivation to work for it. In this case the work he must perform is killing the king. Lady Macbeth has the desire to gain kingship through Macbeth and has motivation to kill the king. She constructed the entire plan to kill the king because she knew that Macbeth would not. In scene three and at the end of Act I, the reader learns why Macbeth posesses reluctance to kill the king. Macbeth has a very strong conscience which is evident in act I, scene three beginning at line 133. Macbeth says, I Am Thane of Cawdor: If good, why do I yield to that [thought of killing Duncan] whose Horrid image doth unfix my hair and make my seated heart knock at my ribs, against the use of nature? Macbeth is explaining that the thought of killing Duncan makes him very nervous.
Full Name Comment goes here. 12 hours ago   Delete Reply Spam Block Are you sure you want to Yes No Your message goes here Illyana Nazri , C.E.O. at Dolce&Gabbana @simiali77 Thank you. :) 2 years ago    Reply  Are you sure you want to  Yes  No Your message goes here Illyana Nazri , C.E.O. at Dolce&Gabbana @samikbiswas1 i'm glad for that. :) 2 years ago    Reply  Are you sure you want to  Yes  No Your message goes here samik biswas it will help my daughters school project 2 years ago    Reply  Are you sure you want to  Yes  No Your message goes here Simi Ali nice it will help me 2 years ago    Reply  Are you sure you want to  Yes  No Your message goes here Dr. Maria Elena Tan Llanos , CHAIR, Education & Languages at St. Paul University Quezon City at St. Paul University Quezon City 3 months ago No Downloads Views Total views 16,650 On SlideShare From Embeds Number of Embeds Actions Shares Downloads Comments Likes Embeds 0 No embeds No notes for slide.
From The Tragedy of Macbeth. Ed. E. K. Chambers. In Macbeth the central idea or theme appears to me to be this. A noble character, noble alike in potentiality and fruition, may yet be completely overmastered by mysterious, inexplicable temptation; and if he be once subdued a curse not to be forgone is for ever upon him. Temptation begets sin, and sin yet further sin, and this again punishment sure and inexorable. The illustration of this central idea is to be found in the rise and fall of Lord and Lady Macbeth. To them temptation comes in the guise of ambition, the subtlest form in which it can approach high souls. Of the supernatural setting in which it is exhibited there will be more to say here-after; for the present note that once the murder of Duncan is committed there is never any hope of regress -- sin leads to sin with remorseless fatality, until the end is utter ruin of the moral sense or even of reason itself; so that death comes almost as a relief, though it be a miserable death, without hope of repentance. Such a story is a proper theme for tragedy, because it depicts strong human natures battling with and overcome by destiny; had they been weak natures the disproportion between the forces would have been too great, and we should have had pathos and not tragedy. Starting from this central idea, the power of Shakespeare's treatment of it is most clearly manifest in the contrasted results of similar circumstances on two characters of different mould and fibre -- one that of a man, the other of a woman; one realizing itself in action, the other in thought. When first Macbeth comes before us it is as a mighty warrior -- he is spoken of as valour's minion , Bellona's bridegroom, lapp'd in proof ; by performing prodigies of personal valour he has saved the country on one day from a civil and an alien foe. This is the noble side of him; away from the battlefield.