trombone research paper

A Witch's Spell and Animado: A Review  By: David Vining These two unaccompanied offerings from Warwick Music were composed for the Repton Brass Festival 2001 and represent two distinct compositional styles. As always, Warwick's spiral bound editions are beautifully presented and strikingly attractive. [] 20 Pieces in Changing Meters: A Review  By: Donn Schaefer 20 Pieces in Changing Meters for Unaccompanied Trombone is a collection of etudes written for students in the 11th-12th grades or first year of college. [] A Matter of Time: A Review  By: Craig Brenan What is it about trombonists and their need to record with other trombonists? A Matter Of Time recorded by the New York Trombone Conspiracy enters the rich collection of trombone ensemble albums.  [] A-List: A Review  By: Kelly Beaman It was a pleasure to hear and review this fine freshman production effort by virtuoso trombonist Reggie Watkins, a musician with a full arsenal of tools at his disposal. Even more impressive is his ability to compile a diverse and compelling set of works, produced on the fly over a short 3 day recording schedule, made even more challenging by the level of difficulty of these works. Thankfully, his fellow musicians made the process seemingly effortless, and one could tell that this was truly a team effort under Watkins’ leadership. [] Absolute Trombone: A Review  By: Tom Ervin Tom Ervin reviews an exciting release by Michael Davis and Hip-Bone Productions. Absolute Trombone features the writing of Michael Davis, and the solo work of such notables as Urbie Green, Bill Watrous, Conrad Herwig and David Taylor. [] Abstracts: A Review  By: Jeff Albert Music can have many layers of meaning. Often the composer's intended meaning is spelled out through a title or lyrics, or written about in the liner notes, or depicted in the album art. Other.
pdf36 Studies for Trombone Sheet Music Download 36 Studies for Trombone Sheet Music Today1 PagesUploaded byR. Barredo HerreraViews  connect to downloadREAD PAPERDownloadUploaded byR. Barredo HerreraLoading PreviewSorry, preview is currently unavailable. You can download the paper by clicking the button above.
Stewart Carter The Trombone in the Renaissance: A History in Pictures and Documents. Hillsdale, NY: Pendragon Press, 2012. ISBN 978-1-57647-206-4 (hardcover) For his book, Stewart Carter (Professor at Wake Forest University in Winston-Salem, North Carolina, and editor of the Historic Brass Society Journal) adopted a different approach. Rather than attempting to write yet another historical overview of the trombone - which after the recently published books by Trevor Herbert and David Guion would have been the third such work within just six years (2006-2012) - Carter chose to examine in depth the iconographical, archival, and printed sources of the Renaissance, that is to say, of the seminal period of the trombone's development between the late fourteenth and the end of the sixteen century. To this purpose, he selected and, where necessary, translated (or had translated) nearly 400 documents, many not previously available in English. The texts of the documents are additionally reproduced in the original languages in an appendix. The approximately 150 illustrations (including approximately 25 in color) include artistic representations of the trombone, photos of almost all surviving sixteenth-century trombones, and facsimiles of original documents. All items are put into their historical context by means of insightful and well-written commentaries. Highly recommended.
Introduction to Music Paper Topics Your paper assignment for this semester revolves around the study of one of the following two Units.  Please pick a paper topic from either of these two units prior to spring break. Topics must be approved by the professor prior to spring break. Your papers are to be at least 7 -10 pages in length with one inch margins, double spaced. Type face is to be Times New Roman 12 point font. Any other formatting will not be accepted.  Papers will be graded once.  No revisions will be accepted. One letter grade per day late will be deducted from the final grade of the paper after it is graded. Documentation: Papers must have either end notes, or in-text documentation that details the author and page number of your sources.   Papers must have a bibliography.  Endnotes and bibliography do not count toward your 10 pages of content. Points will be deducted for spelling and grammar errors. Unit One Composer Study Take one composer from the approved composer list and research him or her thoroughly.  The following questions must be brought to bear in your paper. What period did your composer work? Why did this composer rise to greatness? What historical events took place during the composer's life and how did these events shape the composer's career? What type of patronage did the composer fall under? Describe his or her musical style and compositional process. Compare his style to other composers (two) who worked during his lifetime? What was this composer's contribution to music and who did he or she influence in the future? Then take two pieces of music from this composer and compare/contrast them keeping the issues of style, form, beauty, and function in mind. Come to a critical analysis of the composer's work in one specific area.  This should not just be a boring biography.  The depth to which you come to a conclusion will determine the depth.
docxThe Effect of Body Movement on Listeners' Perceptions of Musicality in Trombone Quartet Performance30 PagesUploaded byJason SilveiraViews  connect to downloadREAD PAPERDownloadUploaded byJason SilveiraLoading PreviewSorry, preview is currently unavailable. You can download the paper by clicking the button above.