concert review essay

Enter Your Search Terms to Get Started! First classical concert On January 30th, there was a concert held in the orange county auditorium. The name of the concert was Elegant Sounds Of the Eminent Classical Orchestra. Upon arrival, I had felt a bit underdressed. Looking around I had noticed that most everyone was very formally dressed. After taking my seat mid-center, I began to look around at the stage. There was a huge orchestra and everyone was dressed in black and was ready to play their instruments. A woman in a shiny black dress with long hair had welcomed, and thanked everyone for being there that night. The concert had finally begun, and it would be one of the most relaxing concerts that I have ever attended. The first piece that was played was by Bela Bartok. It was called the, Joc Cu Bata, which meant a stick game. The lady told us that the man who had produced this piece was Hungarian. At the start of the piece, very nice violins were being played. They sounded very soothing. Awhile after that, a flute was playing in the background, and soon after that, the whole orchestra had joined in. To me it sounded very exciting, like I was viewing a horse race. The next piece that was played was Folk music. A British man, Ralph Vaughn Williams had composed it. It was called the Welsch Hymn Tune. This one had actually sounded a bit patriotic to me. The next one was by Aaron Copland. It was a ballet from the 1900's in New York called, Variations on a Shaker Melody. It sounded as though it started off with horns, and later trumpets that started to play solo. Then there was a time where only strings were playing, and soon after more instruments became involved. The piece after this was by a Russian Romantic composer, who was also a Chemist and Medical doctor. His Name was Alexander Borodin. The piece was called, In the Steppes of Central Asia. In this piece I had an.
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Concert evaluation Concert evaluation Alex Graham Quartet band Concert Review Humanities 211: music appreciation 3/   Alex Graham Quartet Band The concert took place on March 15, 2011 at a place called ?Tap Room?, in downtown Ypsilanti, MI. I didn?t know the place and I was a little bit scared because the name of the bar gave me the wrong idea. I got there around 9:00 pm, the bar got three sections, when I first walk in I saw the bar area on my left, the pool (billiard) room was next and the jazz room was third next to the kitchen. The name of the band was Alex Graham Quartet band, named by the head of the band alto saxophonist Alex graham. Alto saxophonist Alex Graham has performed with several of today?s top jazz artists including Wessell Anderson, Nnenna Freelon, Louis Smith, Diane Schuur, Troy ?Trombone Shorty? Andrews. In addition to writing arrangements for vocalists Diane Schuur and John Boutte, he has also composed and arranged for small group, big band and studio orchestra. Currently he teaches jazz at EMU. His band has six members including himself: organist, guitarist, drum player, cello player, and two saxophone players. They played several songs through the night, I?m going to pick the top five and evaluate the performance. The first piece they played was, ?It could happen to you? by Keith Jarret. The song was composed in 1996 in Tokyo, Japan. He was born on May 8, 1945 in Allentown, Pennsylvania. This solo has everything; burning bop-like lines, rhythmic motives, out -sounding lines and pentatonic and blues phrases. I like how the lines just flow and I can't really capture his time feel with my transcription, you have to listen for yourself. By mixing Continues for 3 more pages >>.
Enter Your Search Terms to Get Started! Concert Review on Orchestra I didn’t walk into the symphony expecting to be impressed, however, I found myself enjoying some of it. I’ve never heard the works of Johannes Brahms played by a live orchestra. The orchestra was very diverse. They had many ages and a decent range of instruments. The stage projected a very full sound, exclusively pronouncing the choral. They didn’t blend as well as they could have next to the orchestra. In one of the tunes they had a soloist singing in German. It was disappointing because I had no idea what was being said. The orchestra did a very fine job with their dynamics during that piece. Being that it was one man singing amongst several instruments, it’s very hard to provide the right dynamic level so he could be heard. I don’t really know if I enjoy the German language. It almost seems a little too harsh for me, however, the chorus sounded very smooth. I’m not sure if they were singing in German; I imagine they were because Brahms was a German composer. Much of the music seemed to be very ‘action packed’ if you will. Many of the pieces remained interesting through their dynamics and selective use of the chorus. Although when I was listening one piece, it didn’t seem as interesting because the same cadence (the half cadence) was being used every four measures. Overall the music displayed much emotion and brilliance. The orchestra was talented, but they would be better if they could fill in some of the lesser abundant instruments. They didn’t have many cellist, or stringed basses. They didn’t have much for french horns but the one they did have was incredibly smooth and resilient with its sound. It has to be my favorite instrument in an orchestra, it almost plays the role of both the strings and the horns with its brass-like texture and soft projection. Their overall performance was nice and.
Published: 23, March 2015 The performance that was observed was not lively as evidenced by the various features. The performance did not make most of the people in the audience to scream. Even the crowd was not cheerful as the performance went on and it showed that the crowd was not moved by the performance. However the dancers looked organized from the way they were entering the stage. I expected a more lively performance that could ignite the audience from the beginning to the end. Push /pull This piece had both men and women with different costumes that also differentiated them. The dance had a total of five dancers and they were dancing to some sort of soul music beats. The music lacked vocals. The stage was brightly lit such that the movement of each dancer could be noticed easily. The color of the costumes could easily be differentiated. The dancers had good costumes with the men having blue trousers and black tops. This made a common costume for the two gentlemen. The ladies costumes were not similar as in the case of the men. They wore shorts of different colors one with white and the other two with black.The ladies top costumes were sleeveless and off different colors for instance yellow light blue and violet. The theme that ran throughout the dance was acrobatic in outlook or some dance competition. From the type of song that was chosen to the costumes and the movements, the dancers express some sort of acrobatic presentation that can entertain the audience. This is a typical dance for music and drama festival events where the dancers are competing against other participants. This has been articulated by the nature of their costumes and the coordinated moves that were being made by the male and female dancers. Such a dance can be compared to the TV show dances that bring out talents in dancing. Movement such as the downward spin has become very common.
CONCERT REVIEW MIT Group Dazzles With ‘Transformations’ of Billie Holiday, Duke Ellington By Ashley Robinson MIT Festival Jazz Ensemble Kresge Auditorium March 13, 8 p.m. On Saturday, MIT’s Festival Jazz Ensemble transformed Kresge into an intimate setting for Jazz. The concert, entitled “Transformations,” explored how musicians rearrange an already existing piece, thus transforming it into an original. To fully appreciate this concert, one needed a well-tuned jazz “ear” to pinpoint the differences and similarities of a piece and its transformation. However, Music Director Frederick E. Harris Jr. provided not only the history of the pieces, but careful instructions on how to listen to them. As a helpful guide, Harris would instruct the audience, “Now make sure you catch the ‘be-do-be-do-be-da-bop’ in the last measure.” Through the entire show the musicians gave an outstanding performance. Each soloist perfectly captured the music’s emotion. Even when there wasn’t a solo, each musician played with an almost tangible energy. The first half was filled with noteworthy pieces. The ensemble warmed up the audience with “All of Me.” The original composition, written by Seymour Simons and Gerald Marks, was flat and slow. However the rearrangement by Quincy Jones literally breathed life into this piece, with a great solo by Kevin T. Chen ’05. The next piece, “Solitude,” was played with a slower tempo than the famous vocal version by the great Billie Holiday. But the tenor saxophone solo by Alexander M. Mekelburg ’04 almost rivaled Billie’s. “Solitude” ended with a smooth transition into “Misty,” which opened with a flawless performance by Jorge Padilla ’05 on the flugelhorn.In the next piece, “I Got Rhythm,” Ethan M. Fenn ’04 flexed his own arranging abilities. Using only a subset of the ensemble, Fenn created a unique variation of the famous tune. A highlight of the piece was.