archetype essay lion king

A Multimedia Essay done for Online English. The essay highlights three archetype themes found in both The Lion King and Macbeth. Hopefully, you enjoy my.
Everywhere you look I'm standing in the spotlight! This article was previously featured on the front page. If you tell me, I'll still act surprised! Watch out! This article may contain spoilers! Long live the king. —Scar's last words to Mufasa before the latter's death Scar is the main antagonist in The Lion King. He was Mufasa's younger brother, Simba's uncle, Sarabi's brother-in-law, and Ahadi and Uru's son. AppearanceEdit Well as far as brains go, I've got the lion's share, but when it comes to brute strength.I'm afraid I'm on the shallow end of the gene pool. —Scar comments on his physical form Scar was a sleek, elegant lion who is severely lacking in physical prowess, something he comments on himself and according to the synopsis. Scar's lead animator, Andreas Deja, intentionally designed him with a slick, combed back black silky mane thatScar during Be PreparedAdded by Kittycatlover when in the sun appears a very dark brown, and animated him to slither and glide rather than move about in the way the stockier, stronger lions in the movie do such as Mufasa or Simba. Scar's fur was reddish-brown, his mane was coal black, and his eyes were bright yellow-green, two traits he shared with Ahadi. He boast many features that resemble an Outsider. A scar, his namesake, runs across his left eye. He closely resembles Jafar and his design inspired the Outlanders. PersonalityEdit Sarabi: We have but one choice.we must leave Pride Rock. Scar: We're not going anywhere. Sarabi: Then you have sentenced us to death! Scar: So be it. Sarabi: You can't do that! Scar: I am the king, I can do whatever I want. Sarabi: If you were half the king Mufasa was- Scar: I'm ten times the king Mufasa was! —Sarabi and Scar Scar was highly intelligent and charismatic as he was able to rally the hyenas to his cause and gain fanatical loyalty from Zira and her pride of lionesses. Scar was a.
The Lion King is a story containing numerous prime examples. Prime examples are examples or models of writing that reoccur in numerous stories. In this paper I will examine three of these paradigms. They are the saint, passing & resurrection of the legend, and the imagery and relationship of water vs. desert. These models can be perceived effortlessly and help things meet up. The Lion King has an exceptionally clear saint, Simba. Simba meets a large portion of the qualities of a prototype saint. Among these is the way that he is detracted from his home, the Pridelands, and grows up with Timon and Pumbaa. After Simba lands with Timon and Pumbaa, we see almost no of his life until he is completely developed. At the point when the film comes back to Simba, he soon chooses to come back to Pride Rock and face his past. He comes back to spare his kingdom from its destruction brought on via Scar and the hyenas, and to restore it to its grandness. The saint of a story normally experiences some of these.
Hamlet and The Lion King Length: 813 words (2.3 double-spaced pages) Rating: Red (FREE)   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Hamlet and The Lion King         Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another.  This, however, is not the case.  While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare.  Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa.  To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.         The characters in The Lion King closely parallel Hamlet.  Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne.  The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure.  In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius.  Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed.  The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil.  They support Scar completely, just as Laertes supports Claudius.  Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively.  Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical.  The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala.  Nala concentrates on the aspect that Simba is the.