graphic design history research paper topics

Outlining a research paper is one of the most effective ways to provide a structure for an argument. It allows students to organize their research and ideas. In addition, students can use an outline to make sure that they have enough information to fill up the page requirement. By building an outline, the student knows in advance if they will need to find more or less information. Building an Introduction Initially, students should work on creating an introduction for their paper on graphic design. This introduction should include a thesis statement that sums up the content of the essay. This thesis statement should make an argument, and it should have a narrow enough scope to be covered in the entire research paper. Once the thesis statement is created, the student should fill in the remainder of the introduction. They may want to use an interesting hook or anecdote to get the reader interested in their ideas. Design a Conclusion After creating the introduction, the student should write out the conclusion. This will allow the student to clearly understand where their argument is started and where it will end up. In essence, the conclusion will restate the introduction and the thesis statement. If it is well-written, it will leave the reader with a lasting impression and knowledge of the subject. Make Topic Sentences Depending on the length of the graphic design research paper, the student may need anywhere from three paragraphs to hundreds of paragraphs. No matter what the length is, students should go through their research paper paragraph by paragraph. For each paragraph, the student should make a miniature thesis statement that serves as the topic sentence. Each topic sentence will serve to guide the students writing and build the argument. Incorporate Research As the student creates their outline, they should list two or three facts beneath each topic sentence.
Cover designs by James Victore (left) and Nick Shah (right). Illustration by Michelle ThompsonIntroduction: the reluctant disciplineTwenty years ago there was considerable optimism about the possibility that graphic design history would become a fully-fledged academic discipline, despite some unresolved questions about its purpose. Although there has been some progress toward this goal in the past two decades, these developments have taken place at a slower pace than might once have been expected.[1] As a discipline — if this is even the right term to use — graphic design history is still in a state of becoming, and there are good reasons to ask whether, on its present course, it will ever achieve the maturity that some observers hoped for. This lack of progress might be measured in various ways. Most obviously, in Britain, where I write, there is no such thing as a first degree in graphic design history. Even design history studied as a clearly defined degree subject concerned with largely non-graphic forms of design remains a rarity.[2] The subject is usually combined with art history and sometimes with film history.[3] Art history established itself several decades ago as a coherent academic discipline and as a subject for study with a broad appeal to non-practitioners. Design history has a long way to go to achieve the same stature or pulling power. The situation is not much better when it comes to graphic design history writing — which is not surprising because the need for such research is inevitably linked to the amount of study taking place in higher education. The key indicator of the discipline’s health is book publishing. Although academic papers about aspects of graphic design history are delivered at conferences and surface in publications such as Design Issues and Journal of Design History, we should be wary of mistaking these occasional expressions of.
A good graphic designer should know how to attract people’s attention through his works. When working on a thesis in graphic design, you should apply the same principle. In order to be good, your paper should be interesting and useful for other people. If you don’t have any ideas for a topic, read this article. Here is a list of good topics for a thesis in graphic design. Graphic design and mass communication. This topic allows you to investigate how graphic design might help in sending certain messages to specific audience. How does graphic design function in marketing? Contemporary photographic theory and graphic design. If you choose this topic for your thesis, you may compare the tools which are used by graphic designers and conventional photographers. What are the similarities and differences? Graphic design in Great Britain of 1978. Discuss the evolution of graphic design during this period of the country’s history. Did different youth movements influence graphic design or was it graphic design to have an impact on these movements? The evolution of graphic design in 20th century. Here you may explore how graphic design was developing in 20th century, especially when web design was introduced. Who was the first to use graphic design in advertising? Graphic design and corporate identity. Do research and discuss in your thesis how graphic design might help in changing corporate identity. Give examples of companies which corporate images got better due to new graphic design of their logos, for example. Paul Rand and his design. In this paper you may write about this well-known graphic designer who created many memorable logos. Find other designers inspired by his works. Graphic design and colors. Discuss the role of certain colors in graphic design. Is it important to use specific colors depending on what you want to say to consumers? Make a list of the best and.
This guide is intended to help you research topics in the field of graphic design which includes a wide range of visual works--including advertising, packaging, branding, printed matter (stamps, posters, stationary), typography and layout. Using the tabs at the top of the Research Guide, locate the specific type of resources you need such as reference encyclopedias and dictionaries, books, journals and research databases, and web resources. Use the tab for Image Resources to find links to many online sources for images to use for research of graphic arts and for production of graphic projects. Anni Albers, Orange Meander, 1970. Image from Museum of Arts and Design, New York. All research begins with the language that you use to think about your topic. This language is the keywords you use to search in a catalog or database. Start your search by developing a simple concept map of your topic using keywords. Here is a sample keyword map to begin research on the history of typography: Concept Concept Concept graphic design type history typography fonts location or era type design style  Subject Headings The keywords you use to describe your topic may not be the same words or in the same order as the subject headings used in the online catalog. For example, when you search keyword typography the catalog will retrieve items cataloged with the the subject heading Printing. Subject headings are really useful. Always start your search by using keywords of concepts as described in the example above. From the catalog results list, find an item of interest and click on the full record to see the subject headings assigned to that item. Click on the relevant subject heading to retrieve more items in the same category. Be sure to keep track of particular phrases that narrow or broaden your results. Always remember to ask a Librarian if you need help finding materials for your.
What makes for good graphic design? You’ve probably formed your own opinions on the subject as you’ve made your looked through countless books, magazines, posters, and signage. And chances are you’ve also begun to recognize certain patterns: diagonal lines lend a certain dynamism to a page, typography can be readable or illegible, a layout can honor or obliterate white space. But how did graphic design develop into what it is today? Fortunately, there are people like Steven Heller to pinpoint the big-bang ideas that led to the standards we take for granted. In 100 Ideas That Changed Graphic Design (Laurence King), he and Véronique Vienne identify, define, and illustrate the breakthrough moments that continue to inform contemporary visual conventions. When the authors began to compile their list, they made sure to focus on the big-bang ideas rather than “tropes or conceits--as in stylistic manifestations rather than substantive design foundations.” They also avoided the urge to catalog overarching movements: “Under the ‘great historical isms, there can be numerous big ideas, such as asymmetric or discordant typography or vibrating color.. Rather than skim the surface using the shorthand of isms, this book unpacks those art historical categories and pulls out the individual big ideas within them.” Nor do Heller and Vienne claim to have covered every important notion, good or bad, of graphic design: “We determined more ‘aha’ moments exist than these. Yet 100 is a nice round number.” Here are nine of our favorites, excerpted and adapted from the book. 1. BODY TYPE At least one graphic design genre dates back to Neolithic times. The tattoo, whether as decoration or symbolic icon, has stood the test of time--even if the actual injected images tend to fade and degrade as skin ages and wrinkles. Tattoos are more popular in some cultures and subcultures than.
Search the UCLA Library Catalog under the following Subject Headings to locate sources related to color theory, color systems, and using color in design: Color Color computer graphics Color decoration and ornament Color in advertising Color in art Color in design Color -- study and teaching Color perception Color printing Color -- psychological aspects Color -- terminology Colors Each section of the stacks (Stacks, Oversize, Reference, Pictorial Reference, Current Periodicals, etc.) can be browsed by call number, as can the library catalog. The Arts Library has a closed stacks area called The Cage where delicate, fragile, and rare materials are shelved; you will discover these materials when searching or browsing the library catalog. Try browing these call numbers: BF789.C7 ND1280 ND1486-1493 NK1548 QC494-496.9 Z258 These resources are also recommended.